Paul
Strand was both a recognized and criticized photographer and filmmaker. Strand
aimed to visually capture the social culture of Mexico during the Mexican
Revolution. His Mexican work Photographs of Mexico, later renamed, as
the Mexican Portfolio is comprised of about one hundred seventy five
negatives, twenty platinum prints. In addition, he also photographed, produced,
and directed the film (Redes), which was well received by Mexican Nationals
because of its connectivity to the national ethos in the 1930s. * Strand was
considered an "American-Mexican" whose photographs are considered the
best of its kind. Paul Strand was an advocate for straight photography, which
can be defined as photography that prohibits the manipulation of negatives. He
knew the importance of each stage of botch the creating and editing process
that added to the objectivity of his creations. By traveling to Mexico
from a received invitation by a friend, Carlos Chávez, Strand fled many
disappointments such as: a failed marriage, a failed relationship with his
mentor, Alfred Stieglitz, and a failed application for the Guggenheim
Fellowship. In Mexico however, Strand found success as an elementary school art
instructor and later Director of Photography and film for the Mexican
Department of Fine Arts. Although Strand had many achievements In Mexico, he
was forced to leave in 1935 over much controversy. An example of his work done
in Mexico was an image of the Ranchos de
Taos Church, New Mexico, 1931. ** This church is a cultural landmark and
extremely important to the common tradition of humanity. It is also a sacred
place for the native dwellers in the area, which is what brought Strand to this
location.
* Kripner, James. “Traces, Images, and
Fiction: Paul Strand in Mexico.” The
Americas 63, no. 3 (Jan 2007): 359-383.
** Tompkins, Calvin. Paul Strand: Sixty years of photographs: excerpts from correspondence,
interviews, and other documents. Millerton, N.Y.: Aperture, 1975.
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